Inner View with Inner Circle
Date: Sat, 07 Mar
1998
From: Sista Irie
<sisirie@austin360.com>
Subject: Inner
View with Inner Circle
***I would like to
share this interview because it covers some of the issues discussed on the forum
... commercial radio vs. non-profit, rasta philosophy in the music, regge in the
U.S. versus other parts of the world. Hope you like it. Love, Sista Irie #23
March 1,
1998
INNER VIEW WITH INNER
CIRCLE
Speaking with Lancelot, Inner Circle
drummer
Sista
Irie:
Welcome to Austin. I, woman, give thanks
for this opportunity to speak with the Inner Circle band. Inner Circle has been
playing reggae music for a very long time, would you tell us a little bit about
the beginning of the band and how you became known as Inner
Circle?
Inner
Circle:
The band began in high school. Just a
thing to pass the time, have fun, play music, you know. It soon evolved into a
career. Inner Circle, ever since high school, had some popularity going around
Jamaica. After they realized we could make music as a profession, we came right
around and started recording. Then we met Jacob Miller. The true sense of
playing music professionally came about
then.
Sista
Irie:
Was Jacob always the forefront of the
band in those days?
Inner
Circle:
Yes. He had quite a
chrisma.
Sista
Irie:
Did he write most of the
music?
Inner
Circle:
No. I mean the majority of the music
writers are still in the band like Ian and Touter and
Roger.
Sista
Irie:
You have seen the evolution of reggae
music over the last twenty years. What do you think the current health or state
of reggae is...how would you best describe
it?
Inner
Circle:
Well, for alot of people to understand,
they must know where reggae is coming from. If you get into any form of music,
you should really take a look at it and see where it is coming from. Reggae
music has always been very experimental, it has always lent itself to many
different styles of music. To see reggae music grow and branch out is almost
like a tree, you know. The trunk is like the roots of reggae music and then you
have the branches which is dancehall, lovers rock classic, and roots
reggae.
Sista
Irie:
And it seems consciousness has now
infiltrated all styles of reggae music in this day and
age.
Inner
Circle:
Well, not necessarily. We have a song
entitled "Reggae Music is Life" and that's what it is. I mean not everybody in
life is conscious. You have some stupidness in love (we both are laughing at
this!) Reggae music covers all sides of
life.
Sista
Irie:
Music is a form of art and art is an
expression of life so I overstand where you are coming from. Your new c.d. is
called Da Bomb. How would you best describe the creation of that
c.d.?
Inner
Circle:
Oh gosh, explosive! The creation of Da
Bomb was alot of fun. Alot of fun! We put alot into it and we tried to reach out
to everyone. There is something on Da Bomb for everybody.That is the way we
went. We kind of contemplate now if that was really the best way to go about it.
We have discussions but I feel it was the way to go because when you come to see
an Inner Circle concert, it doesn't matter what style of music you listen to, we
have something for you. Da Bomb expresses
that.
Sista
Irie:
I love the new c.d. It has a great deal
of personality, street talk and vitality in it. What is your favorite song on
this c.d.?
Inner
Circle:
Hmmm. Well, my favorite song is "It's
Not About Romance." That's going to be our next
single.
Sista
Irie:
Very cool. I have a copy of it and will
play it as soon as we finish this
interview.
Inner
Circle:
Yes, well, have you listened to
it?
Sista
Irie:
Yes!
Inner
Circle:
What do you think it
means?
Sista
Irie:
Oh well, hmmmm...why don't you tell us
what it is about?
Inner
Circle:
No, I kind of want everyone to listen
to it first and next time they see me, I will tell them what it means. I am
almost sure most people will get it
wrong.
Sista
Irie:
Oh man, I think I better go back and
listen to it some more.(We both start laughing) I love music that makes people
think. Reggae music has always made people stop and think about
life.
Inner
Circle:
A clue about the song would be - don't
take it for granted, that it is being sung in a certain direction. You kind of
have to see it from a different concept to know where it is coming from. That's
the only clue I am going to give
you.
Sista
Irie:
So you have to stretch your mind beyond
the box?
Inner
Circle:
You know it's not that big of a
stretch, it's just that people are just going to jump to conclusions. I don't
really blame them for it because it's a little different. I would love to tell
you but I want everyone to think about it
first.
Sista
Irie:
O.K. You will have to call back and tell
us...
Inner
Circle;
Yes..yes, we will have to give an
update interview..(laughing) A girl called in a few days ago in Melbourne,
Florida and got it right away. She hit it right on the head. I said "good for
you."
Sista
Irie:
Wow, must have knocked you out! Maybe
people are smarter than you think! (laughing all the
way)
Inner
Circle:
(Laughing) Yeah, it felt good that she
really got it. I mean no, no, no I don't really under-rate them that way. I was
just surprised.
Sista
Irie:
So, you are just starting your tour. Is
this just a United States tour?
Inner
Circle;
Yes. This is strictly a U.S. tour. We
haven't toured the U.S. in nearly four years. Sorry! But, our popularity outside
the U.S. is massive. You tend to get alot more requests so we have been taking
care of business outside the U.S. for
awhile.
Sista
Irie:
Tell me some more about that. I am
curious about how reggae is received in other parts of the
world.
Inner
Circle:
Much better than it is
here.
Sista
Irie:
How do you explain
that?
Inner
Circle:
Radio.
Sista
Irie:
Radio. Commercial
radio?
Inner
Circle:
Commercial radio inside the U.S. is
very formatted. Rock and roll, R & B, gospel, easy listening, CHR, pop radio
and where does reggae come? Most of the PD's don't know where to put it and if
they do play a song, it is almost like that song just sounds good and they don't
really stay on top of reggae and add reggae to their format. In Europe and South
America, radio is just radio. It just plays music. It doesn't matter what style
the music. Right behind the reggae music, you hear hip hop, behind that you hear
classical, then polka and all these music..any good music has a chance of being
a hit.The key word is good music. That is how music should be played...because
it is good.
Sista
Irie:
It seems like in this country the
non-commercial radio stations are carrying the load of introducing
artists.
Inner
Circle:
Yeah, but the children don't listen to
those radio stations. It's usually a small audience which is why we are having a
small tour. That explains that.
Sista
Irie:
So, we are really lucky to have you here
in Austin. But Austin, loves good music! We are known for
that.
Inner
Circle:
Well, we have always loved Austin. It
is a nice little town.If Marcia Ball is listening, we want you to come to the
show tonight. We miss touring the U.S. and this is part of the reason we are
back on the road in the U.S.
Sista
Irie:
Down the road, what would you like the
legacy of Inner Circle to be?
Inner
Circle:
I would like to know that we were
successful in spreading reggae music in a different concept. Most people think
of reggae music as Bob Marley. They think marijuana and then they think,
straight roots, one drop as reggae music. We want to show them more than
that.
Sista
Irie:
And what is it to
you?
Inner
Circle:
What is it to me? It's life as I
said.
Sista
Irie:
One more question. The philosophy of
Rastafari and how deeply inbibed it is in the music...do you think the younger
generation overstands the concept?
Inner
Circle:
I don't think so and I don't expect
them to. Whoever is into Rastafari should study and deal with it. I don't think
the music is responsible to develop their beliefs. I think reggae music is for
everyone and should stay that way.
Sista
Irie:
Very good. Very good answer. I want to
thank you so very much and I am looking forward to the concert tonight. My
blessings to Inner Circle. Jah Guide and
protect.
Inner
Circle:
Easy.
Sista
Irie.
Posted: Fri - February 14, 2003 at 10:57 AM