Third World: Bio
The Ambassador's of Reggae
Music:
THIRD WORLD
Third World remains one of most enduring
and popular Jamaican bands in the world. Unlike many Jamaican reggae bands,
comprised of hungry street kids with raw talent, no formal musical training and
only their passion and drive to spur them to the top, the members of Third World
come from the Kingston middle class.
The
band was founded in 1973 by Stephen "Cat" Coore and Michael "Ibo" Cooper. Cooper
is a policeman's son while Coore's father was a deputy prime minister who also
taught music. Both Coore and Cooper received formal musical training at Forster
Davis School of Music and Kingston's Royal School of Music respectively. Each
also had solo and group experience on the Kingston reggae circuit. Cooper and
Coore met while playing for Inner Circle. Other charter members include Richard
Daley, Milton Hamilton (another Inner Circle veteran), Irwin "Carrot" Jarrett (a
veteran percussionist with considerable concert and television production
experience), and Cornel Marshal. From the start, the band was meant to be
self-contained, a rarity back then. Third World did this so they could perform
wherever they wanted rather than constantly scrambling for musicians or a sound
system to support their singing.
They
made their debut at the 1973 Jamaican Independence Celebration. Though they
performed steadily around Kingston, they had trouble finding a studio willing to
record them because most of the studios also ran the sound systems. In 1974,
Third World went to London, released their debut single "Railroad Track" and
signed to Island Records. Their first album came out in 1975. It received
critical accolades and later that year Third World opened for Bob Marley on his
U.K. summer tour. That year Marshall was replaced by William Stewart, and in
1976, William "Bunny Rugs" Clarke replaced Milton Hamilton on guitar. The title
track of their second album, 96 Degrees in the Shade (1977), has become a reggae
classic, and it is considered to be one of their finest albums. Their third
album, Journey to Addis, finally broke through to a bigger audience thanks to
the R&B staple "Now That We Found Love," that Third World sang with a
sophisticated blend of pop, funk and reggae riddims. The song, an international
Top Ten hit, provided listeners the opportunity to sample the new Jamaican sound
in a familiar aural environment.
Third
World released three more albums through Island, but began feeling that they
were standing too much in the shadow of the label's star act, Marley, and so
moved to Columbia in the early '80s. Their first four albums did quite well in
the U.S. and the U.K. with the single "Hooked on Love" from Rock the World
(1981) making it to the Top Ten on the British charts. During the early '80s,
Third World began working closely with Stevie Wonder who in 1982 penned and
recorded another crossover hit with the group "Try Jah
Love."
In response to critics, Third
World justifies its forays into different genres as a means to keep the genre
from stagnating. In making it accessible to wider audiences, they are also
thereby making new inroads for their messages and making it music for the common
people the world over. They are credited for being the first reggae act to add
funk and to use a synthesizer. They were also instrumental in popularizing dub
poetry, which in turn became the basis for dancehall, a form the band has
increasingly embraced since the mid-'80s. Their 1985 album for Mercury, Sense of
Purpose, marked their first foray into American hip-hop. Their 1992 album,
Committed, was primarily a dancehall album though the title track spent time on
the R&B charts. Subsequent recordings include 1995's "Live It Up" and 1999's
"Generation Coming."
Posted: Fri - February 7, 2003 at 12:00 AM